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Kohlert Bassoon Serial Numbers

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Before serial number 5711 (1922) only small bore bassoons were built; between serial numbers 5711 and 7700 (1935) both types were built and after serial number 7700 typically only the wide bore was built. Thick Wall Construction In 1963 (around serial number 10700) Heckel began making the walls of the bassoon thicker.

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Woodwind Serial Number Link List

AKUSTIKSaxophones
ALEXANDRE (SELMER)ClarinetsSee also (serial number drop-down menu)
AMERICAN STANDARDAll Woodwinds
WT ARMSTRONG
ARTLEY

Flutes, Piccolos, and Clarinets
See Also

B&S

Saxophones
Research Link

E BEAUGNIER (see also Vito and Leblanc)SaxophonesNote
F BESSON

All Instruments
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BOOSEY AND HAWKESNote
BUESCHERNote
Saxophones
EVETTE & SCHAEFFER, BUFFET-CRAMPON S.A.

Clarinets
OboesSee also
Saxophones

Note
BUNDY (incl. SIGNET)Note
CANNONBALL SAXOPHONESSaxophones
CLEVELAND MUSICAL INSTRUMENTSAll Woodwinds
CG CONNProfessional Saxophones
COUESNONFor all instruments prior to appx. 1937, there is a grenade fruit with a number inside it stamped on the horn. That number is the year of manufacture.
CUNDY - BETTONEYFlutes, Piccolos, and Clarinets
Henry DISTINAll Instruments
DOLNETSaxophones
Peter EATON
FOXDouble-Reeds
IDA MARIA GRASSI

Saxophones
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Wm. S. HAYNESFlutes and Piccolos
Wilhelm HECKELBassoons
HAMMERSCHMIDTSaxophones
HOHNERSaxophones
Frank HOLTONSaxophones
JUPITERAll Instruments
Brua C. KEEFERSaxophones and ClarinetsNote
Julius KEILWERTH (and H-COUF)SaxophonesNote
KING (HN WHITE)
KOHLERTAll InstrumentsNote
LA SAXAll Instruments
A. LAUBINDouble-Reeds
G. LEBLANCNote
LINTONOboes and Bassoons
F. LORÉE (CABART)Double-Reeds
Louis LOTFlutes
Robert MALERNE
MARIGAUX (see also SML)

Double Reeds
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MARTIN BAND INSTRUMENT COMPANY

Saxophones
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MARTIN FRERESClarinets
See also
MONANZIFlutes
NOBLET
NORMANDYClarinets
FE OLDSAll Instruments
L. PIERRET

Saxophones
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Verne Q. POWELLFlutes
G. PRUEFERClarinets
PUCHNERAll Instruments
FA REYNOLDSAll Instruments
RIGOUTATDouble-Reeds
Luis ROSSIClarinets
RUDALL & ROSEFlutes
A. SAX

All Instruments
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SELMER (PARIS)

Clarinets
Saxophones

SELMER (UK/London)Clarinets
SELMER (USA)Clarinets
SML (Strasser-Marigaux-Lemaire)

Saxophones (PDF)
See Also

Note
VITOSaxophonesNote
WELTKLANG
YAMAHASaxophonesNote
YANAGISAWASaxophones
JW YORK

Saxophones
See Also

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Notes

Beaugnier:

If you decided to play around with the serial numbers on http://www.doctorsax.biz/beaugnier_ser_nos.htm, note that he doesn't differentiate between the Leblanc System (two/three versions), Rationale (whichever spelling you wish) and Semi Rationale (two versions).

Boosey and Hawkes:

1. Boosey and Hawkes is a combination of the Boosey company and the Hawkes company. Hawkes produced their own instruments, for a time, and combined with Boosey in the 1930s. Boosey and Hawkes have been, since that time, sheet music producers and importers.

2. A lot of the saxophones stamped 'Boosey and Hawkes' are stencil instruments. To read more about stencils, please read my article HERE.

Keefer:

The vast majority of saxophones stamped 'Keefer' are stencils.

Buescher:

Horns stamped 'The Buescher Band Instrument Company' from the 1920's are stencils, as are the modern BU-series of horns available from Selmer, and follow different serial number charts.

Buffet-Crampon:

1. A small, but significant, percentage of all Buffet and/or Evette-Schaeffer woodwinds in the 1900-1930 range (or so) were Conn stencils and do not have Buffet serial numbers. In the 1990's, Keilwerth stenciled a saxophone for Buffet called the 'Expression' and that model has a Keilwerth serial number.

2. The modern Buffet 400 (and similar) are Asian-made and do not follow these serial number charts.

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Bundy:

1. The Bundy in question here is from approximately 1950 to date. Earlier horns were a mixture of Conn and Buescher stencils.

2. For a brief time, Bundy and Bundy Special saxophones were available from Keilwerth and Dörfler & Jörka, are stamped 'Made in Germany' and do not have a Bundy serial number.

Julius Keilwerth:

Except for the ST-90 I and EX-90 I and II, the ST-90 and EX-90 were not made by Keilwerth and probably do not have Keilwerth serial numbers. For a chart of those models, see THIS.

Kohlert:

The modern Kohlert instruments are made in China or Taiwan. Their serial number format is completely different. The serial numbers listed here are for the German/Czech made instruments.

LeBlanc:

Leblanc does not give out serial number charts. If you ask them, EXCESSIVELY NICELY, about a serial number off a horn you own, they might tell you when it was made.

SML:

1. The SML A400/T400 are Asian-made stencils not made under the authority of SML and are not included in this chart.

2. Some very early SML saxophones were stencils. There are also occasional late-model stencils. For further info, click HERE.

Vito:

Vito saxophones have been made by Vito (Wisconsin), Beaugnier, Leblanc, Yamaha, Jupiter and Yanagisawa. Keep this in mind when attempting to date your instrument.

Yamaha:

These serial numbers are probably only for the Vito labeled YAS-21/23/25 stencils. However, these serials might apply to all Yamsaha instruments.

The standard info on Yamaha serial numbers is that they are not sequential and you need to contact Yamaha directly for information.


I'm always looking for more info for this chart. If you have any, please drop me a line at thesaxinfo@gmail.com.


In creating the Affordable Double Reed Instrument Series my goal has been to find the best instrument to meet your musical needs. As a firm believer in the importance of music education- this series is designed to help put the best bassoon available in a buyer's hand.

Kohlert bassoon serial numbers list

My previous post focused on Mass Market New Bassoons for $5000 or Less. The post was designed for band directors, college class woodwinds courses, and buyers needing consistent high quality instruments in a hurry.

Brand New Nobel and Fox Renard instruments are available for purchase with the ease of a phone call and a credit card, offering delivery of a New Instrument within days.

Moving forward in the series, this week I would like to take a look at Used Bassoons. Used Bassoons are great for bassoonists that have the Time and Energy for a Good Hunt. Often there are great gently used bassoons available for less than $5000 in the Used Market- If you know what to look for and what to avoid.

A discussion of Used Bassoons under $5000 also opens the door to the discussion of many Maple Wood Bassoon Options. The Mass Market New Instruments discussed in my previous post that fell below $5000 or less were either plastic or wood composite.

Mass Market instruments are perfect to start beginners, fantastic for music programs that are looking for low maintenance instruments. But plastic will never resonate or vibrate with the tone colors quite like a maple wood bassoon can.

For buyers looking to buy their own personal instrument, a maple wood bassoon is often desired for tone colors and artistic potential.

I must admit… in my sound trials of the New Mass Marketed Bassoon, the Nobel Wood Composite PVNB1W (made of ground grenadilla and epoxy) came close to the tone colors offered by many maple bassoons. And, it definitely offered a greater variety of tone colors than the plastic instruments I tried. (Fox 41 and Nobel PVNB2A)

This is part of my reason for giving the Nobel Wood Composite Bassoon a solid recommendation in my previous post. And there is no fear of Moisture Damage because the Nobel PVNB1W is made of wood composite, features a lined bore, and lined tone holes that protrude into the bore.

But for bassoonists looking to buy a bassoon, swab and service it regularly- there is nothing quite like a Good Maple Bassoon.

Swabbing the bassoon after each use is vital for wood bassoons in the $5000 or less price range. Many of these instruments do not have the modern lined finger tone holes. Unlined Tone Holes in a used bassoon can lead to moisture damage (wood rot) if the joint is not swabbed after each use.

To be sure I effectively covered this week's topic of Used Bassoons I sought the knowledge of bassoon repair specialist Chad Taylor.

Chad's years of experience repairing both Well Made and Poorly Made Bassoons adds a deeper level of insight into finding an Affordable Quality Used Bassoon. He is generous with his knowledge and experience in working with all brands of bassoons. I have found Chad's insight invaluable and thought you might, too.

The bulk of Chad's work happens post-sale, repairing and servicing the instrument. Chad and I spent hours on the phone discussing instruments that were a Breeze to Service VS. those that Proved a Challenge due to poor workmanship in production.

If a bassoon is not manufactured well Chad can spend hours, days and sometimes weeks trying to rectify the initial poor quality. The challenges of a cheaply made instrument are sometimes simply not worth the trouble or the long-term added repair costs.

A bassoon that offers a cheap initial price tag may include expensive repair/upkeep costs, making it not such a good deal after all.

To help determine if a Used Bassoon is Affordable AND Quality, there are a few steps I take to set a used instrument sale up for success. I take these steps because an instrument is an investment- it is important to look into potential resale challenges Prior to Buying.

And a Used Bassoon means a previous Owner or Owners. Previous owners might not have taken the care you would have preferred while the bassoon was in their possession.

Now let's dig into a Discussion of Used Bassoon Brand Options in the $5000 or Less Price Range.

Before we begin Please Take a Moment to Note the Following: Due to many manufacturer's lack of attention to detail: not aging the wood properly, poor key work, etc. I am consciously choosing to not discuss a few brands you may be familiar with. Don't worry- I am aware these brands exist. 🙂

I do not mention these brands in order to stay true to My Goal of Affordable Quality without Distraction.

Kohlert Winnenden Bassoon

Comparisons in the Affordable Instrument Series are created only to inform and aid in matching the best bassoon to the individual needs of the music program and bassoonist.

When looking for a Quality Used Bassoon I start with the instrument brand. Then I follow up with information on the model number and serial numbers. This information can be a great asset in finding a bassoon manufactured to have an even scale and a variety of tone colors. It is not a guarantee but it can aid in narrowing the initial search when hunting for an Affordable Quality Used Bassoon.

To help aid in finding the best match for you and your needs I've added Used Bassoons to the Original Comparison Chart from my previous post. This gives a quick view and comparison of Body Type, Key Work and Cost.

As you can see from the chart, a few of Chad's and My Favorite Used Bassoons include the Fox Renard 222, Conn 8R, and many of the old Kohlert Bassoons.

Every now and then I have come across a good Schreiber Bassoon. But it is worth noting that the manufacturing of Schreiber Bassoons has been inconsistent over the years. The Schreiber company changed ownership quite often and quality was not always maintained.

I must admit that I love the older instruments for their unique features – like plastic bell rings that were originally off white. Over time the plastic has aged and turned orange!

Like all bassoons I have on trial, I like to try Schreiber Bassoons with multiple bocals. This allows me to get a sense of and feel for any inconsistencies when playing up and down the chromatic scale. I can also explore tone, intonation, and stability, especially on notes that need venting.

Many Schreiber bassoons are not easy to adjust or alter, so it's especially important to check for initial quality in these instruments.

Whenever I start the hunt for a Quality Affordable Used Bassoon- the first brand and model of instrument I try to find is a gently used Fox Renard 222.

High D and High E keys can always be added to the Renard 222 for a small fee. And the lined bore and lined tone holes mean there is minimal chance of wood rot!

Another bonus of the Fox Renard 222 is the initial low cost of the instrument. Starting with a lower purchase price means a lower resale price. This will usually generate a price tag that falls within my $5000 goal price point.

Sidenote: As I was testing bassoons for this series and recording sound clips, the Fox Renard 222 truly shined. I enjoyed it so much that I featured it in the opening musical introduction in my last two YouTube Videos.

Not listed on the chart (to avoid redundancy) but worth noting are the Old Conn Plastic Polypropylene Bassoons. These bassoons were manufactured by Fox Renard and sold with a Conn label. The old Conn Plastic Bassoons have the same key work as a Fox 41. Usually they only require a few pad replacements, a key oiling and they are ready to play. And, the lack of a Fox Renard label on the bell can sometimes mean a lower price tag! Pdf high price carl hart.

The Conn 8R wood bassoon is worth mention as it is modeled after an 8000 Series Heckel Bassoon. Conn traded the (new to their era) Strobe Tuner for a few Heckel Bassoons. Conn then researched and modeled the 8R after the Heckel, producing Conn's best bassoons.

The Old Kohlert Bassoons are overall more reliable in manufacturing than the Schreiber Bassoons. Often the scale is more even and there is less of a challenge in servicing the instrument for repair. Sometimes these instruments will not have a brand name stamped on the bell and it will take a little bit of added research to determine the brand.

These are a few of my favorite brands but always remember that every bassoon is unique. I have tried a lot of great bassoons from trusted manufacturers and a lot of bad bassoons from the same manufacturer.

I wish I could say, 'Buy This Wood Bassoon and You're Guaranteed it Will Be Great!' But I can't. This is because wood is a variable. It is important to remember: Just as every tree is unique, so is every wood bassoon.

My Heckel Bassoon Journey is a great indication of just how unique each bassoon can be. Prior to buying my 10,000 series Heckel I tried between 15-20 instruments. It took trying that many to find an instrument that had an even scale and tone colors that matched my artistic voice. And even then, it still had wood rot and other issues that needed repair.

Unfortunately finding a bassoon is not a one size fits all.

And Remember: if you have an instrument that you love and is meeting your needs – Stick With It! Just because your bassoon isn't my favorite brand and model doesn't mean that it isn't the right bassoon for you. My favorites are based on my experiences. You may have found a diamond in the rough.

Kohlert Bassoon Serial Numbers

I hope by sharing Chad's and my favorite used bassoon brands, a bit of their history and the steps I take when looking for Affordable Quality in a used bassoon for less than $5000- bassoonists can find the best match for their unique needs and goals.

I'd love for you to leave me a comment about what brand and model bassoon you are playing. It's fun to hear what everyone enjoys and the variety of instruments available worldwide.

Software Serial Numbers

Happy Bassoon-ing, Everybody!





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